The ultimate Stabat Mater site

a musical journey through the ages...

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New: Lukas Borzik

I added a new Stabat Mater by Lukáš Borzík from Slovakia. Mr. Hubert Maillard was so kind to bring my attention to this CD. In the booklet the composer says:

This Stabat Mater brings three different points of view on the Mother who stood by her dying Son. They are expressed by three motifs of different emotional timbre – the motif of lament, motif of pain and the motif of silent sorrow – stated in the bass solo. The slow alternations of the widening and narrowing metro-rhythmic pulse of the composition forms a kind of analogy to the visual movement towards the suffering of the Mother of God and/or the movement away from the invisible wounds hidden deeply in her heart.

Lukas Borzik is number 282 in my collection of Stabat mater composers (on CD).

New: Nicola Logroscino

And again I can delete a name from my list of Missing CDs: Nicola Logroscino!
Thanks to Mr. Hubert Maillard from Switzerland. He was so kind to send me, as a gift, this CD with Stabat Mater by Nicola Logroscino, an Italian composer from the 17th century. His Stabat Mater reminds me  very much of Pergolesi’s Stabat Mater. One part impressed me, it is the duet ,em>Vidit Suum dulcem natum</em>. It’s only one minute but I love it.
Thank you very much Mr. Maillard!

Jan Engel

I just added Jan Engels Stabat Mater. For a long time Jan Engel was on my list of missing CDs. Thanks to Mr. Lee I could add this CD to my collection. He sent the CD to as a gift. He wrote:

…I happened upon the Stabat Mater site many years ago and searched out many of the titles listed here. I always wanted to contact Hans and let him know how much I appreciated his work but unfortunately I never did. Kathy and I wanted to send you this CD of Jan Engel’s Stabat Mater to show our appreciation to you for continuing the site…

Via Crucis

I just added a CD Via Crucis, a composition by Dick Le Mair, a Dutch composer. In part four  (the fourth station of the cross: Jesus meets his mother), he uses the first Stanza of Stabat Mater. This part reminds me of the introduction of Cantate 106 (Gottes Zeit ist die allerbeste Zeit) by Johann Sebastian Bach. I love this music very much because of its intensity. Dick Le Mair was so kind to send the CD to me. Thank you very much!

Walon Church Amsterdam

On Friday March 15th I attended a special concert in the context of the Art project Troubles Waters (fourteen art stations of the cross), in the Walon Church, Amsterdam. The Hieronymus Ensemble sang Stabat Mater by Orlando di Lasso (1585). Eight men, they sang beautifully! As with Palestrina’s Stabat Mater the choir is divided into two choirs of four voices. The two choirs (upper and lower voices) alternate in singing a pair of stanzas, until they come together in the closing section in a glorious mixture of eight-part polyphony and antiphonal block harmony. I really loved it.
The Walon Church is the 11th station of the Art Project. Here you see  the Salt Water Skin Boats by Erica Grimm.
…Salt Water Skin Boats proposes an analogy between our bodies and the vast ecology of the global ocean: between the life-sustaining, precariously balanced ocean chemistry and the chemistry of our own salt-water-filled bodies. The monk of history would cast himself into the ocean at the mercy of the elements to bring vision and light (Salvation) to wherever and whomever God (Divinity, Holy Spirit) so designed. The coracle had no rudder or anchor. Setting sail was an act of faith, of trust. The ambient soundscape, accessible by QR code and cell phone technology, functions as a living, breathing, sounding entity—the life of the ocean brought into the listener’s awareness. In the last two hundred years, human actions have changed the chemistry of the ocean. We are crucifying the earth… (from www.artstations.org)

 

Art and the Stations of the Cross

During the forty days of Lent (from March 6th till April 22th 2019) there will be a very special art project in Amsterdam:  Art Stations of the Cross, fourteen stations of the cross through the center of Amsterdam. The work of leading artists from home and abroad gives a contemporary translation to the suffering of Christ as often depicted in fourteen stations. The first station of Cross is the condemnation of Jesus and the last is his burial. Last year this exposition was in Manhattan (2018) and before in Washington DC (2017) and London (2016). For me there is a direct link to Stabat Mater Dolorosa, the twelfth station: The grieving Mother stood weeping beside the cross where her Son was hanging. To help you find your way, you can use the map below.

 

 

A special leaf

Last week I got a very special mail from Mr. Keith Stroup. He recently purchased an orphaned leaf from a Flemish Book of Hours, which has a sizable portion of The Stabat Mater text scribed upon it. The leaf had been matted decades ago with the only information stating that it was scribed in Flanders ca. 1500. It begins with the last line of stanza 10: Ut sibi complaceam. It follows the Analecta version to the 20th stanza: Fac ut animae donetur. The last line Paradisi Gloria is missing. Mr. Stroup send me two pictures of the leaf.
This is the recto, or front of the leaf:

This is the verso, or back of the leaf:

Thank you very much Mr. Stroup!

 

Origins of Stabat Mater Latin text

Mr. Hubert Beckwith was so kind to contact me; he provided me with new information, an addition to the webpage Stabat Mater text. On this page Hans has written about the origins of Stabat Mater text:  …The oldest reference in a liturgical source is a Breviary from Arezzo, a manuscript dated 1417. ..
That seems to be incorrect now! Mr. Hubert wrote to me:

…Not long after your husband died, an earlier liturgical use of Stabat Mater was discovered. Here is a short article in English that describes: the discovery of the famous Stabat Mater being used as a sequence in the Gradual produced by a convent of Dominican nuns in Bologna in the later thirteenth century. This is by far the earliest known manuscript example of this hymn used as a sequence rather than as a devotional hymn. It has been commonly believed that the hymn only became used as a sequence in the late middle ages. (Its melody there is not found in other sources.)  The article links to a research study by Cesarino Ruini (in Italian) that discusses the discovery in great detail.  Follow the link “scarica questo file PDF.”  I hope you can find someone to translate it.
As a brief summary: The sentences about early sources might be changed to something like “The Stabat mater first appeared as a liturgical sequence in the later 13th century, in a Gradual from a Dominican convent in Bologna. Since the beginning of the 14th century it can be found in prayer books.
Again, many thanks to you and your late husband for your richly informative and elegant website…

I wil make a correction to the webpage as soon as possible. Thank you very much Mr. Beckwith!

Spirit, Strength & Sorrow

I just added the CD Spirit, Strength & Sorrow by The Sixteen with Harry Christophers. It includes six (!) settings of the Stabat Mater text, three settings are new ones by: Alissa Firsova (British with Russian parents), Tõnu Kõrvits, from Estonia and  Matthew Martin, from England. Spirit Strength and Sorrow is the result of the commissioning collaboration with the Genesis Foundation. The CD begins with the plainsong and ends with Claudio Casciolini and Domenico Scarlatti, a must for every Stabat Mater lover!

New Stabat: Pormeister-Rips

Mr. Pavel Brochin from Germany, was so kind to inform me about the Stabat Mater composition by Piret Pormeister-Rips from Estonia. Mr Brochins choir, Audienda-Choir Krefeld, was invited to take part in the 5th Rhine-Westphalia Choral Festival in Krefeld. He was looking for a bigger contemporary Estonian composition, and his friends recommended him Piret Rips’ Stabat Mater. Piret Rips made a new orchestral version. The first one was for string orchestra only. His choir performed this work in September 2006. Mr. Brochin was so kind to send the CD with recordings of the Rheinisch-Westfälisches Landes Chorfest Krefeld to send to me. Thank you very much!

In 1997 I created the Ultimate Stabat Mater website for Hans with the program FrontPage. At that time he had around 40 Stabat Mater CDs. His notes on the composer, the music, the texts and translations and the different versions all came online. After this he managed the site by adding new composers and translations regularly. At the time of his death in 2005 he had 211 Stabat Maters. After his death I continued collecting the information and managing the site. I wish to thank the Dutch Stabat Mater Foundation which gave me the financial support in 2014 to renew this site!